I am interested in how Systems can be applied in the process of making art, how something can survive within a scheme of convention, exploring the system itself in order to understand it, and perhaps, trying to find a condition of artistic autonomy within the framework I created. Like Mondrian's grids, the abstraction in my work has to survive, and find a place within a defined structure.
My Modus Operandi embraces my passions for electronic, music, science and graphic design.
I like to define myself as a multimedia artist, and my art works as playthings. As with childhood toys, art objects can be seen as many distorted mirrors of the Everyday, a caricature of the real. This sometimes does not need to be pleasant-looking or easy to use has to possess, above all, a high degree of play value, which is what defines the capacity of a Toy/ Artifact to stimulate and engage the viewer. This moves the attention of the spectator in places they probably know, but they have forgotten, unconscious against rational and vice-versa.
Flames, Roses and Wires, Shift Gallery, London (UK)
Iperuranio, Kobo Shop gallery space, Udine (Italy)
Phantasmagoria, O2 Centre, London (UK)
Sluice Art Fair, London * with Shift gallery (UK)
Condensation, Immaginare il tempo, Borgo storico di Clauiano (Italy)
Umlaut, Hales Gallery, London (UK)
Spegni la TV (Switch off the TV), Kobo shop gallery space, Udine (Italy)
Three by Three (4), Exhibitions in Yinka Shonibare's new space at Sunbury House, London (UK)
Turbulence, The Foundry, London (UK)
Who is Stice Boris?, Villa Florio, Pavia di Udine (Italy)
The museum of stolen art, No Id gallery, Shoreditch, London (UK)
Innersense, Etc Gallery, Hackney, London (UK)
Time runs, Gallery in the Crypt, St Martin in the Field, London (UK)