Sophie Hoyle
GMC Cut II

In the act of cutting the book into solid blocks, the text within is left inaccessible. It has been transformed as a carrier of text into being considered primarily as a physical object. The new components of the book can be re-arranged in any combination, allowing the ‘reader’ to continuously ‘re-edit’ the book in their own way.
As with GMC Cut/Up I, GMC Cut/Up II re-frames the idea of books as sacrosanct and uninterferable, both in text and as object, opening up different approaches to their reading and handling.
This was made in response to a brief for the AND Publishing Piracy Project, 2011.
http://www.andpublishing.org/projects/blog/
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Alistair Gordon talks on behalf of the MA students at Wimbledon School of Art about the forthcoming interim exhibitions Memoria Technica and Wunderkammer at The Nunnery Gallery.
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Website: www.aarondistler.com
